Mr Maximilian Hurd had a unique request when he was house hunting for his now London home. “I knew exactly what I wanted, which was a house with a hallway big enough to house my favourite painting, originally bought by my parents for our childhood home in Brazil,” he says. “It’s over two metres long and finding a property in London with enough wall space was tricky, but I was adamant that I would not be sending it back into the dreaded storage. So, when I opened the front door and saw the wall, I knew I was home.”
The property is a Victorian workman’s cottage in northwest London – built to house the expanding workforce during the industrial revolution – and retains some of the original features, with contemporary additions to add space, like a loft conversion and side return added by previous owners. But the singular style has been entirely overhauled by Hurd. “English country house in miniature or, as I once referred to it, Marie Antoinette meets Oscar Wilde by way of a Brazilian bordello,” is his one-line description.