THE JOURNAL

Mr Lucio Fontana, “Neon Structure for the Ninth Milan Triennial”, 2019. © 2019 Fondazione Lucio Fontana/Artists Rights Society (ARS), New York/SIAE, Rome. Photograph courtesy of The Metropolitan Museum of Art
Where to get your cultural fix for 2019 in two of the world’s art capitals.
With fairs, biennials and new museums opening around the world, art in the 21st century is truly global, but two cities, London and New York, continue to set the tone for the industry. And across modern and contemporary, in photography, painting and conceptual art, 2019 looks set to be a particularly interesting year for exhibitions on both sides of the Atlantic. Here, MR PORTER breaks down the five must-see shows in each city from now until summer.
London
Tracey Emin: A Fortnight Of Tears

Ms Tracey Emin, “We Said Goodbye”, 2018. © Ms Tracey Emin. All rights reserved, DACS 2018. Photograph by Mr Ollie Hammick, courtesy of White Cube
White Cube Bermondsey6 February – 7 April
In 1999, Ms Tracey Emin scandalised the art world and tabloid press alike by exhibiting a dirty, unmade bed. Two decades on, a major show at White Cube’s Bermondsey space sees the most famous YBA mount a less conceptual exhibition of painting, sculpture, film, photography and drawing – though traditionalists should still be suitably shocked by her powerful, unflinching take on sex, death and femininity.

Pierre Bonnard: The Colour Of Memory

Mr Pierre Bonnard, “Coffee” (Le Café), 1915. Photograph courtesy of Tate
Tate Modern Until 6 May
History has been unkind to Mr Pierre Bonnard. Described by Mr Henri Matisse as “the greatest of us all,” Mr Bonnard – perhaps on account of his subject matter; calm landscapes and interior scenes, painted from memory in vibrant colours – has not achieved the same renown as contemporaries such as Messrs Pablo Picasso, Paul Gauguin and André Derain. A new exhibition at the Tate Modern attempts to reassert Mr Bonnard’s position in early 20th-century art.

Don McCullin

Sir Don McCullin, “Londonderry”, 1971. © Sir Don McCullin. Photograph courtesy of Tate
Tate Britain 5 February – 6 May
Sir Don McCullin’s arresting portrait of a shell-shocked Marine has become one of the most iconic images of the Vietnam War. Exhibited at Tate Britain with some 250 photographs from Syria, Cambodia and Northern Ireland, all hand-printed by Sir Donald himself, this exhaustive retrospective encompasses 60 years of work, forming a more nuanced portrait of one of Britain’s most celebrated photographers – showing work documenting working-class life in London’s East End and the industrial North, and landscapes of Somerset, where he now lives, alongside his war photography.

Hanna Moon And Joyce Ng: English As A Second Language

Ms Joyce Ng, “You Are My Lucky Baby Pear for Modern Weekly”, 2017. © Ms Joyce Ng. Photograph courtesy of Somerset House
Somerset House, Terrace Rooms Until 28 April
Centred around a new series of works commissioned by Somerset House, responding directly to the 18th-century building, English As A Second Language sees two pioneering fashion photographers, Ms Hanna Moon and Ms Joyce Ng, present an alternative perspective on Western aesthetics and ideals. Through fashion photography, a medium that is uniquely placed to question ideas of beauty, style and taste, both artists interrogate the concept of “otherness”.

Phyllida Barlow: cul-de-sac

Ms Phyllida Barlow, “Untitled: tilt” (lintel), 2018. © Ms Phyllida Barlow. Photograph by Ms Genevieve Hanson, courtesy the artist and Hauser & Wirth
Royal Academy of Arts 23 February – 23 June
Before she was thrust onto the international stage as Britain’s representative at the 2017 Venice Biennale, Ms Phyllida Barlow, who turns 75 this year, was almost as well known for her academic career at the Slade School of Art, teaching Turner Prize-winner Ms Rachel Whiteread, as for her so-called “anti-monumental” sculptures. Now, however, her work – towering, room-filling installations – have been accepted into the mainstream, taking the form, at a new RA exhibition, of a vast, exploded residential cul-de-sac.
New York
Joan Miró: The Birth Of The World

Mr Joan Miró, “The Hunter (Catalan Landscape)”, Montroig, July 1923-winter 1924. © 2018 Successió Miró/Artists Rights Society (ARS), New York/ADAGP, Paris. Photograph courtesy of The Museum of Modern Art
The Museum of Modern Art 24 February – 6 July
Focusing on the great Catalan painter’s signature work “The Birth Of The World”, from 1925, this new exhibition at the Museum of Modern Art explores Mr Miró’s relationship with poetry. There are also around 60 paintings, drawings, prints, books and objects, that date between 1920, when Mr Miró made his first formative trip to Paris, and the early 1950s, when his very particular surrealist language gained worldwide renown.

Leonard Cohen: A Crack In Everything
The Jewish Museum 12 April – 8 September

Kara Blake, “The Offerings”, 2017. Exhibition view of Leonard Cohen: A Crack in Everything presented at the Musée d’art contemporain de Montréal, 2017-2018. Photograph by Mr Guy L’Heureux, courtesy the artist
The Jewish Museum will be continuing its series of experimental programming with an exhibition dedicated to the life and work of Mr Leonard Cohen. More than a collection of artefacts devoted to the celebrated Canadian singer-songwriter, the exhibition brings together work by a dozen contemporary artists, including Mr Jon Rafman and Ms Tacita Dean, as well as presenting covers of Mr Cohen’s songs recorded by Feist, Moby and Mr Sufjan Stevens.

Implicit Tensions: Mapplethorpe Now

Mr Robert Mapplethorpe, “Candy Darling”, 1973. © Robert Mapplethorpe Foundation. Used by permission. Photograph courtesy of Solomon R. Guggenheim Museum, New York
Guggenheim Until 10 July 2019; 24 July 2019 – 5 January 2020
This year marks three decades since the death of celebrated American photographer Mr Robert Mapplethorpe. Working exclusively in black and white, Mr Mapplethorpe rose to prominence shooting the creative scene in New York – most notably his friend, lover and long-term collaborator, Ms Patti Smith – but he is also celebrated for exploring the human form and themes of love, sex and, controversially, homoeroticism. A year-long exhibition at the Guggenheim, split into several parts, charts his career, from early experiments with Polaroids to a moving series of self-portraits, documenting his struggle with HIV/Aids, from which he died aged only 42.

Lucio Fontana: On The Threshold

Mr Lucio Fontana, “Spatial Concept”, New York 10, 1962. © 2019 Fondazione Lucio Fontana/Artists Rights Society (ARS), New York/SIAE, Rome. Photograph courtesy of The Metropolitan Museum of Art
The Met Breuer 23 January – 14 April
Mr Lucio Fontana is perhaps the most vilified artist of the 20th century. His iconic cut paintings – monochrome canvases slashed with a Stanley knife – have become emblematic of a my-child-could-do-that type of modern art, a but new exhibition at The Met Breuer, The Met’s space for modern and contemporary art, places these paintings in a wider context – his role in establishing the Spatialist movement, as well as the figurative work in ceramic and sculpture his conceptual pieces were developed from.
Work of art

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